Tenue correcte exigée, quand le vetement fait scandale
An exhibition on everything that caused a sensation in the fashion world
At each fashion week, it is difficult to escape the main topic: dress codes. The exhibition, “Tenue correcte exigée, quand le vêtement fait scandale”, at the Musée des Arts Décoratifs in Paris, is an invitation to visit the great scandals that have made the history of fashion from the 14th century to the present.
This exhibition aims to explore three hundred pieces of clothing, accessories, portraits, caricatures, and various objects that have clashed with the codes or the moral values of the period to which they refer. From the robe volante to women’s pants, from skirts for men to tuxedos for women, from miniskirts to baggy pants down to blue jeans: all marked a break, creating violent criticism or even prohibitions at the moment of their first appearance. Perhaps because they were too long or too short, too tight or too wide, too indecent or too prudish, too feminine for men or too masculine for women, these items of clothing infringed the cardinal rule: that of going against the standards or norms imposed from above, transgressing the established order.
“Tenue correcte exigée, quand le vêtement fait scandale” is a perfect lesson in life: fashion is not only seasonal trends, it is a sociological phenomenon, it is able to anticipate great revolutionary events since, thanks to clothing, we recount something of ourselves, something we still cannot fully express in our own words. Fashion anticipates wars, fashion anticipates revolutions – the miniskirt came a few years before the student movements of ’68. Fashion tells about a piece of the history of man, and the “scandals” of fashion make us understand much of the world we have experienced and we are experiencing. Until April 26th.
Marlon Brando ” A Streetcar named Desire” 1951 ©Bridgeman Images
Coeur Brulé Deutsche Kinemathek , Marlene Dietrich Collection , Berlin 1930 ©Eugene Robert Richee
Nizza il 13 luglio 1969 AFP /©Getty Images, Staaf
” Le grand blond avec une chaussure noire”, 1972 . Mirelle Darc wearing Guy Laroche, Musée des Arts Décoratifs i ©Bridgeman Images